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Cover Page
Title Page
Copyright Page
Preface (1994)
Preface
Contents
Part I - Prelude: As It Has Been
Introduction
Chapter 1 - Meaning in Music and Information Theory
Chapter 2 - Some Remarks on Value and Greatness in Music
Chapter 3 - On Rehearing Music
Chapter 4 - Forgery and the Anthropology of Art
Chapter 5 - The End of the Renaissance?
Part II - As It Is, and Perhaps Will Be
Introduction
Chapter 6 - History, Stasis, and Change
Chapter 7 - Varieties of Style Change
Chapter 8 - The Probability of Stasis
Chapter 9 - The Aesthetics of Stability
Part III - Formalism in Music: Queries and Reservations
Introduction
Chapter 10 - The Arguments for Experimental Music
Chapter 11 - The Perception and Cognition of Complex Music
Chapter 12 - Functionalism and Structure
Postlude
Bibliography
Index
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